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Pencil Hardness

9H through 9B — writing, sketching or technical, and the nearest US number

Tap a grade to see where it sits on the hardness scale, what it's typically used for, and the nearest US pencil number. This is the conventional trade ordering graphite pencils are sold under — not a calibrated hardness test.

How this works: The scale runs hardest to softest: 9H down to F, then HB in the middle, then B down to 9B. More clay in the core makes a harder, lighter mark that keeps its point; more graphite makes a softer, darker, smudgier mark. US pencils are numbered instead (most commonly #1 soft to #4 hard) — the equivalence shown is the typical trade mapping, not a lab conversion, since manufacturers don't grade to one shared standard.
HardSoft
Conventional grade ordering and typical use only. Core formulation, and how firmly you press, vary by brand and by pencil. Not a lab hardness measurement. See Terms.
Acronyms on this page:
HB — Hardness/Blackness: the middle grade on the pencil hardness scale, halfway between the H (hard) and B (black/soft) sides.

FAQ

What does H and B mean on a pencil?

H stands for hardness — more clay in the graphite core gives a lighter, harder mark that holds a point well. B stands for blackness — more graphite gives a softer, darker, smudgier mark. F sits between the two as "fine point", and HB is the everyday middle grade.

How does the US number system map to H/B grades?

US pencils are numbered, most commonly #1 (soft, close to B) through #4 (hard, close to 2H), with the everyday #2 landing close to HB. Brands don't calibrate this the same way, so the mapping here is a typical equivalence, not an exact one.

Is this scale exact across brands?

No. There's no single lab standard tying, say, a 2B from one maker to a 2B from another — core formulation varies. This page shows the conventional ordering and typical use for each grade, not a calibrated measurement.

Which grade should I use for sketching versus writing?

Everyday writing sits around F to 2B. Technical drafting and fine linework favour the harder end, 4H to H, for a crisp, light line that doesn't smudge under a straightedge. Sketching, shading and expressive drawing favour the softer end, 2B to 9B, for rich dark tone. The extremes — 9H–6H and 6B–9B — are more specialist: light non-photo layout lines at the hard end, charcoal-like blacks at the soft end.